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1924 Radio Stations from Greece Classic Hits Classic Rock Greek Pop RnB Thessaloniki, Greece Folk Greek Xanthi, Greece Blues Music RnB Rock Soul Athens, Greece Folk Greek Information Heraklion, Greece Classical Instrumental Athens, Greece 60 Listens Thessaloniki, Greece 60 Listens Folk Greek Hits Top 40 Athens, Greece 60 Listens Music World Athens, Greece 60 Listens Dance Deep House Electronic House Krestena, Greece 60 Listens Folk Greek Hits Pop Thessaloniki, Greece Athens, Greece 60 Listens News Public Mytilene, Greece 30 Listens Blues Jazz Rock Larissa, Greece 30 Listens Athens, Greece 30 Listens Celtic Classical Instrumental Athens, Greece 30 Listens Comedy Sports Athens, Greece General Pop Swing Jazz Krestena, Greece 30 Listens Greek Music Pop Pyrgos, Greece 30 Listens Adult Contemporary Pop RnB Rock Top 40 Athens, Greece 30 Listens Chillout Vocal Athens, Greece 30 Listens Culture Entertainment Live Shows Music Nea Moudania, Greece 30 Listens Ethnic Greek Pop Athens, Greece 30 Listens Athens, Greece 30 Listens Adult Contemporary Pop RnB Rock Top 40 Athens, Greece 30 Listens Next » Greece Radio Stations on your iPhone, iPad, iPod Touch, Android, Blackberry, and other app-enabled mobile phones. Get in touch via the Contact Us below if you're interested in these apps. Also, find the top new songs, playlists, and music on our website!

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The influence they have had on modern harps, guitars and zithers is clearly audible and plain to see in these faithful reconstructions. Each piece was hand-crafted by master craftsman Panagiotis Stefos of LyrΑvlos in Athens. Stefos and his team played each instrument, all recorded in exquisite detail by producer John Valasis, with 8 round-robins and 4 dynamic velocities per string.You'll enjoy our flexible GUI features, with independent close and overhead mic positions, a wide selection of chromatic and special effect articulations and a bank of 20 sound-designed ambiences created from the raw acoustic source for added texture and creative potential. Ancient Greek Strings features 15,158 24-bit samples and is 8.23 GB installed. Ancient Greek Strings was recorded by John Valasis. John is a Greek-born composer, producer and sound designer. From his Athens based studio, he delivers scoring, foley and sound design services for many local and international clients. John's clientele includes prestigious brands like Native Instruments, Ableton, Soundiron, Virgin, Amazon Prime Video, Vice Magazine and BBC. John is also roster of Ninja Tune's imprint Just Isn't Music, alongside artists like Amon Tobin, Bonobo, Flying Lotus and The Cinematic Orchestra. Lyravlos is a historical organization, musical ensemble and research group that recreates authentic bronze age instruments, using the same raw materials as instrument craftsmen in the height of Athens in 430 BC. They are recognised in Greece as well as abroad for a work not only of artistic and educational value, but also of important accomplishments in original research. From the Athens Hall of Music and the Warsaw Opera, from the Festival of Old Music in Stockholm and Corcoran Gallery in Washington, to the co-operation with the National Orchestra of Athens in the First Greek Musical Celebrations, to the participation in the festivities of the 2004 Olympic Games and with Universities as the Boston University, Sorbonne, Ionian University, University of Ioannina, also with more than 400 concerts and seminars in schools of all grades, Lyravlos has become identified to realize the most well documented effort towards the learning and promotion of the rich Ancient Greek musical tradition.The fundamental aim of Lyravlos is to revive in a scientifically documented manner and to rightly promote the Ancient Greek music, by reconstructing the instruments which give life to the ancient sounds. The Kontakt interface includes a suite of automation-ready sound-shaping controls to give you total creative flexibility. You have control over swell, attack, release, offset, vibrato, filter, pitch (coarse ; fine), articulation switching, cross-fading and layering, and so much more. We've also included 20 unique sound-designed custom FX presets to give you lots of creative options. This library comes with an adaptable LFO system, with selectable LFO shape, modulation target parameter, speed, intensity, tempo-syncing and fade-in time. You can also apply your choice of 12 lowpass, high-pass and FX filters, with assignable modulation targets such as velocity, modwheel, expression, after-touch, key position and step-sequencer table control. Our customizable arpeggiator offers a velocity table and control over arp direction, timing, swing, randomization and duration. We’ve. Greek Music, Greek MP3 download, Greek Music Downloads Greek Music, Greek MP3 download, Greek Music Downloads

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J.L., contributed to funding acquisition, conceptualization, and supervision. All authors have read and agreed to the published version of the manuscript.FundingThis work was funded by the National Research Foundation of Korea (NRF) under the Development of AI for Analysis and Synthesis of Korean Pansori Project (NRF-2021R1A2C2006895).Institutional Review Board StatementNot applicable.Informed Consent StatementNot applicable.Data Availability StatementThe raw data supporting the conclusions of this article will be made available by the authors without undue reservation.Conflicts of InterestThe authors declare no conflict of interest.ReferencesKilmer, A.D. The discovery of an ancient Mesopotamian theory of music. Proc. Am. Philos. Soc. USA 1971, 115, 131–149. [Google Scholar]West, M.L. Ancient Greek Music; Clarendon Press: Oxford, UK, 1992. [Google Scholar]Barker, A. (Ed.) Greek Musical Writings: Volume 2, Harmonic and Acoustic Theory; Cambridge University Press: Cambridge, UK, 1984. [Google Scholar]Hagel, S. Ancient Greek Music: A New Technical History; Cambridge University Press: Cambridge, UK, 2009. [Google Scholar]Randel, D.M. (Ed.) The Harvard Dictionary of Music; Harvard University Press: Cambridge, MA, USA, 2003. [Google Scholar]Leech-Wilkinson, D. The Changing Sound of Music: Approaches to Studying Recorded Musical Performances; Centre for the History and Analysis of Recorded Music: London, UK, 2009. [Google Scholar]Gould, E. Behind Bars: The Definitive Guide to Music Notation; Faber Music Ltd.: London, UK, 2016. [Google Scholar]Nettl, B. The Study of Ethnomusicology: Thirty-Three Discussions; University of Illinois Press: Champaign, IL, USA, 2015. [Google Scholar]Titon, J.T. Worlds of Music: An Introduction to the Music of the World’s Peoples; Cengage Learning: Boston, MA, USA, 2016. [Google Scholar]Waring, W.; Rousseau, J.J. A Dictionary of

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Polyphonic style and bring music closer to a purer form. Towards this aim, they turned to Ancient Greek theater. Members of the Florentine Camerata: Vincenzo Galilei, Count Bardi, Giulio Caccini The Florentine Camerata drew their inspiration from two related threads of thinking. First, many of the members considered themselves humanists. Humanism was a philosophical approach that centered on the individual. They believed in the inherent goodness of human beings, and they felt humans could be transformed through poetry, literature, and rhetoric. They were optimistic about humanity's potential and celebrated the free will of humankind. The humanists believed that the means of moral improvement could be found amongst the now widely rediscovered Classical Greek texts. The members of the Camerata held the belief that music could only be improved by returning to the manner of the Greeks. This led them to the second and more direct influence on their thought. Girolamo Mei had a reputation among his contemporaries as an expert on the Greek language and ancient musical forms. Mei, though not a member of the Camerata, corresponded with Vincenzo Galilei for many years. The two men shared thoughts on ancient instruments and music. Mei argued that polyphony did not exist in the ancient world. He felt that emotions were most heightened through the use of what is now referred to as monody. He believed that the Greek theater utilized single vocal lines along with a simple instrumental accompaniment. Blending humanist tradition and Mei's scholarship, the Camerata sought to improve music by making it more akin to their idea of Greek tragedy. Their experimentation led them to develop a new style called "recitativo," "recitatar cantando," or recitative. In this style, only one voice is used to make the text clear and understandable to the listener. Words were sung naturally as if one was reciting the text. The melody followed the intonations and accents of the spoken word, and the rhythm followed that of poetry where notes corresponded to unstressed or stressed syllables. All this was done to evoke greater emotion in the listener of the piece. During this time, it was common for the Italian nobility to host special events and celebrations. As part of these, plays often were performed. Intermedio or intermezzi were the intervals between acts of a stage performance. These musical or dance interludes had pastoral or mythological themes to them. It is here that one finds the

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