Hd photography cameras

Fps continuous shooting4K video recordingVari-angle touchscreen LCD Reasons to buy Great image qualityDual Pixel CMOS AF for fast and accurate autofocus4K video recordingVari-angle touchscreen LCDLightweight and compact Reasons not to buy Limited battery lifeNo in-body image stabilizationLimited autofocus pointsNo weather sealingNo built-in flash Best budget-friendly camera: Canon EOS Rebel T100 The Canon EOS Rebel T100 is a budget-friendly camera perfect for those new to photography. With a 18-megapixel APS-C sensor and an easy-to-use interface, this camera is both affordable and user-friendly. It also has built-in Wi-Fi and can shoot full HD video. Reasons to buy this camera include its affordability, user-friendly features, and lightweight design. However, it may not be the best choice for more advanced photographers who require more advanced features. Specifications 18-megapixel APS-C CMOS sensor9-point AF system3 fps continuous shootingFull HD 1080p video recording2.7-inch LCD Reasons to buy Budget-friendlyEasy to useLightweight and compactBuilt-in Wi-Fi and NFCFull HD 1080p video recording Reasons not to buy No 4K video recordingLimited autofocus pointsNo in-body image stabilizationNo weather sealingNo built-in flash What to Look for When Choosing a Canon Camera for Photography When choosing a camera for photography, there are a few key factors to consider. One of the most important factors is the type of camera you want to use. There are two main types of cameras: DSLRs and mirrorless cameras. Types of canon cameras for photography DSLRs, or digital single-lens reflex cameras, use a mirror and prism system to reflect light from the lens into the viewfinder. This allows you to see exactly what your camera sees before you take the shot. DSLRs are known for their fast autofocus, high-quality images, and the ability to change lenses.Mirrorless cameras, on the other hand, do not have mirrors or prisms. Instead, they rely on electronic viewfinders to show you what your camera sees. Mirrorless cameras are typically smaller and more lightweight than DSLRs, making them more portable and easier to carry around. They also tend to have faster burst rates and better video capabilities. Camera sensor size and why it matters for photography Another important factor to consider when choosing a camera for photography is the sensor size. The sensor is the part of the camera that captures the image. Larger sensors typically produce better image quality, especially in low light situations. Full-frame sensors, which are found in professional-level cameras, are the largest and most expensive. APS-C sensors, which are found in many entry-level and mid-range cameras, are smaller but still produce high-quality images. Micro Four Thirds sensors, which are found in some mirrorless cameras, are even smaller but still produce good image quality.When choosing a camera for photography, it's important to consider your needs and budget. Do you need a camera

SKOKIE, Ill., June 23, 2016 /PRNewswire/ -- Leveraging its expertise with built-in cameras in navigation and connected car devices, Rand McNally today launched a new line of stand-alone dash cams that pairs top-of-the-line safety features with HD video and extra-wide-angle lenses. The Rand McNally Dash Cam 100, Dash Cam 200, and the even more feature-rich Dash Cam 300 are designed to not only assist with accident and safety documentation, but capture video and photos from the road. "Everyday and professional drivers both have told us that they want to capture and share their experiences on the road and be able to save a high-quality video record should they be involved in an accident," said Stephen Fletcher, CEO of Rand McNally. "In these new dash cameras, we have included features like time-lapse photography so that drivers can record a beautiful sunset as well as a sudden (or some other qualifier) traffic incident." All of the Rand McNally dash cams include a "G" sensor, which detects significant or sudden movement – such as a collision – and automatically saves the video file. Videos and photos taken on the cameras feature a time and date stamp. Dash Cam 200 and 300 includes a GPS, which stamps location as well. The cameras include a time-lapse feature, which helps to efficiently capture long trips more succinctly. All three of the dash cams come connected to a small yet rugged suction cup mount, which easily installs on the windshield. The cameras can record continuously while in use with the option for different looping intervals.Key featuresDash Cam 100, 200, and 300 include: A "G" sensor that automatically saves video footage on impact Extra-wide camera angle with minimal distortion Night mode that adjusts automatically Time-lapse and still photography Time and date stamp In addition to these features, the Dash Cam 200 and 300 also include a super HD camera and location stamp, from an embedded GPS. Moreover, the Dash Cam 300 includes lane-departure and collision warnings, and can record Full HD video at 60 frames per second.The Dash Cam 300 has a two-inch screen for viewing and playback, and comes with a 16 GB SD card. The Dash Cam 200 has a 1.5-inch screen and an 8 GB SD card. The Dash Cam 100 has a 1.5-inch screen and a 4 GB SD card. For more information, visit randmcnally.com/dashcams.About Rand McNally – Rand McNally is the country's most trusted source for maps, navigation, and travel content. Products and services include: OverDryve™ connected-car device; America's #1 Road Atlas; IntelliRoute® truck routing software; TND™ truck GPS; HD 100 E-Log devices; TND™ 765 mobile fleet management solutions; RVND™ GPS for RVers; and leading geography-based educational resources. Learn more at randmcnally.com.© 2016

Stereo photography has experienced various levels of interest since the mid 19th century. Dual lensed cameras are quite unique in the history of photography. Digital 3D Cameras Most digital cameras capture both stills and video. 3D cameras came and went very quickly, though VR seems to have spurred some new options. Film 3D Still Cameras Stereo film cameras have a long history with peak popularity in the 1950's which paralled the 3D movie boom of the period. Hybrid 3D Cameras Dual camera rigs are tricky to syncronize, but offer more flexibility than fixed stereo cameras. Stereo attachments can also be used. Digital 3D CamerasUsed by Studio 3D Fujifilm Finepix W1 and W3 In 2009 Fuji introduced the world's first digital stereo camera, the Finepix W1. I was stunned when I saw the rear display actually featured an autostereoscopic image! (Incidentally, I'm in one of the demo shots!) The interaxial, at 77mm, is a bit wider than average eye spacing, with the W3 (released in 2010) at 75mm. Extra mode allowed for "cha-cha" style 3D.Camera also shoots 3D video. Cyclopital3D created an adapter that ingeniously allowed for external flash, carry strap and wide angle lenses. On camera flash is virtually useless (except as trigger for external flash). Discontinued May 2013 Panasonic Lumix DMC-3D1 The Lumix 3D1 came on the market in Dec 2011. I was initially skeptical at the small 30mm interaxial, but was surprised at how often that was the perfect lens spacing. The actual downside is lack of manual control (again, on camera flash is practically useless). However, the lowlight capability is pretty decent, especially if a tripod is available. Unfortunately, no 3D display. Mostly preferred over the Fuji, but very hard to find, especially with an English menu. Discontinued 2013 SID Wee-View Official Website Available with kit $399 Launched in 2017 via Kickstarter, we were backers and got our camera/stablizer setup in September (about $250). Your phone acts as a monitor, but the phone we used was not autostereoscopic (as illustrated). The stabilizer was not super intuitive- I found it going in directions I couldn't quite control... may take some practice. The wide stereo video (.mp4) has been fairly good. Vegas Pro does not recognize the 3D, but Magix does. JVC GY-HMZ1 Full HD 3D Camcorder Official Website Possibly the best prosumer 3D video camera to be made during the short time (2011) when 3D was actually being

Computer monitors, camera sensors and popular print sizes may use different 'aspect ratios' – the ratio of the image width to its height.(Image credit: BenQ)Unless you have a perfectly square picture, every photograph has a ‘long side’ and a ‘short side’. The relationship of one to the other is known as the ‘aspect ratio’.So if you have a sensor or a frame of film that measures 36mm by 24mm, the aspect ratio is 3:2 (dividing the length of both sides by 12 to get the lowest common denominator). By finding the relationship between the sides, we can quickly find the simplest ratio that expresses the proportions of the picture. In the case of a square-shaped shot, the long and short sides are both the same, so distilling it to its simplest form, the ratio would be 1:1.Most camera sensors have an aspect ratio of 3:2, but some are 'squarer' with a 4:3 ratio. (Image credit: Sony A1)TVs and computer screensYou'll get a different ratio with the picture on a high definition TV. Though actual screen sizes vary, the picture itself is made up of 1920 pixels on the long side, and 1080 pixels on the short side. Divide both these numbers by 120, and you arrive at a ratio of 16:9, which is the aspect ratio of all HD TVs. Go back to the 1990s – before the advent of widescreen TVs – and the established ratio for television was 4:3. This was also the accepted ratio for early computer screens, as they displayed 640 x 480 pixels (just divide by 160 to get the 4:3 ratio). Nowadays, many laptop and tablet displays use 16:10, so when viewed horizontally, they’re a little deeper than an HD TV picture.Compact cameras, smart phones and micro FourThirds system cameras from Olympus and Panasonic still offer a 4:3 ratio, as that is the actual aspect ratio of the sensor. Of course, the shot you take can be cropped to offer a different aspect ratio such as of 3:2 or 16:9, but the native aspect ratio is still 4:3 as that is the shape of the sensor recording the data. Cinema and video aspect ratiosCinema and video cameras typically use wider aspect ratios than are used in stills photography. (Image credit: Blackmagic)One confusing part of aspect ratios is that in cinema, it’s traditional to give the long side of a picture after expressing the short side as “1”. So a typical Hollywood blockbuster would have an aspect ratio of 2.35:1. If you treat the 3:2 aspect ratio of many cameras in a cinematic way, it becomes 1.5:1, and 16:9 would be 1.78:1. In some ways, the cinema method is simpler to visualise, as the width is directly related to a height unit of 1, but it’s not the norm when referring to stills photography or television aspect ratios.After you’ve taken a photo, you can of course crop it in software to produce any aspect ratio you like. Sometimes a ‘letterbox’ crop of a 17:6 panoramic